Final Pieces

Landscape:

This finished drawing was created in my local park, a scenic view with flowerbeds, trees and a cottage. This picture uses good composition with the eye following the path up and in front and behind the cottage. I think the shading is also good in this picture, I have used different tonal values, with darker tones to represent the foliage and lighter tones for the cottage and grass. I think that the pencil techniques I have used for the trees are good as there are different pencil strokes within them, creating deepness and texture, also with lighter patches showing where the sun was shining and the thinned out parts of them. I like the flower bed as the flowers start off fairly large and then as the eye moves closer to the vanishing point they get smaller and closer together. In this picture I have included a small bench and bin, these add to the interest of the picture, although not drawn with much detail. The cottage uses 2 point perspective, although this is hard to tell as the trees are in the way of the other side. This drawing took me 1 hour 43 minutes and was drawn using a 2B pencil. Overall, I am very pleased with the outcome.

Still Life:

This finished drawing uses a colander, a decorative candle holder and a cup stand with a mug hanging off one of the arms. This drawing took me 49 minutes, drawn in a 2B pencil. The best feature of this is the colander, I feel that I got the shape almost spot on with a variety of different tonal values for the shading, including some cross hatching for the darker parts. The colander looks 3 dimensional as the shading strokes have made it look spherical. Although it is an orphaned object, it is attached to the sheet underneath which has been shaded with different tonal values to represent the folds in it, some of which are bigger than the others, represented by darker patches of shading. I feel that I could have spent longer over doing these to create a neater picture. The cup stand is made out of wood, I have represented this texture by drawing in the wood grains which contrast to the ceramic mug which is very smooth. The cup stand is slightly leaning to the right, which throws the composition of the picture off. The candle holder shows where the light is hitting it on the outer decorative petals. Overall, I am fairly pleased with this picture, especially the colander.

Life Drawing:

This 2 hour 10 minute drawing is of my best friend lying on her bed in her underwear. In this drawing you can see the weight being put onto the left arm by the hand being covered by the soft duvet and the crease lines around it showing the weight. You can see the tension in the arm as it is straight, creating good posture. You can also see the weight in the legs as some of the duvet is covering them as well, especially the foot at the top. I feel that the shading in this picture is done to a good standard as you can see the self shadow made by the right arm covering her torso, and also the shading has given the overall drawing of the body a good 3 dimensional feel. My favourite part of this drawing is the hair as you can see the individual strands as well as the light bouncing off the top of the head. You can see the many folds in the duvet, demonstrated by the lines. I'm not overly happy with the shape of the toes or the shadow behind the model. This is one of the first times I attempted drawing in the fingers, and I am fairly happy with how they have come out. This picture was drawn in a 2B pencil and overall, I am very happy with the finished piece.

Week Twelve

These quick warm-up sketches show posture and pose. The balance and weight of each that I have captured show that the figure is correctly standing up and not about to fall over. There is also gesture on each, although not very clear as there was not much time to portray it, this is what brings life to the sketches, for example on the bottom one the spine is slightly curved and the head is tilted back a bit.

This 15 minute sketch also displays posture and pose. The model looks sturdy and properly balanced with the weight being placed throughout the left side of the body. Although to improve the posture, the right leg could have been drawn in a more straight line. The gesture throughout this sketch is demonstrated particularly well with the head being slightly bent down onto the hand and if you follow the inner curve of the drawing you can clearly see what the gesture is. This drawing was done with a 2B pencil.

This sketch shows good proportion and weight. The weight can be seen with the arch of the back leading into the taught bottom and also the hands either side of the body. I have shown the muscles well running through the legs, although the muscles in the arm are not quite correct. All together you can see the gesture in this sketch, starting at the head and flowing down the torso and splitting up at each leg. I like the overall composition, and think it is interesting to look at as there are different things going on. I like the pointed toe and how the body isn't directly on the centre of the mat, but on one corner. I like how you can start to see a bit of shading going on, as it makes the picture look more 3 dimensional, seeing where the light and dark areas are on the torso.

Week Eleven

For this sketch I was concentrating on capturing the weight within the pose. The model is leaning onto the table putting all of his weight onto his arms and his right leg. I have shown this by drawing the arms close into the body and straight with slightly raised shoulders. Also by straightening the right leg and bending the left. The head is tilted down and the figure is very streamline showing the tension going through the body as the weight is being placed on only some of it.

In this sketch I tried to represent the tension going through the body, and what the muscles would be doing. The model was slightly leaning forward and with his stomach pushed out and his arms and hands pointing back away from his bottom. I have shown the tension by using angular lines to form the arms and having them look like they are pushing the body out. As the legs are leaning forward you can see the muscles relaxing and on the arms you can see them contracting as they are bending.

This is a 13 minute sketch of the lower part of the leg highlighting where the muscles are. I have used shading to show where the harder and softer parts of the muscles are. You can also see where the harder bits are on the feet, for example, the ball of the foot and it's heel. I have shown how the lower part of the leg has a bigger muscle than the bit around the knee. You can see that the knee is rounded and the leg is slightly bent. The proportions and the angle of the foot are correct although I would have liked to redo the toes, as I struggled over them. The model was fairly slim highlighting his bones more, the curved line near the foot shows the marking of the bone.

Week Ten

This week we were trying to capture movement. Here are several 30 second sketches showing different positions with movement. In a lot of them you can see the rapidness of the movements that were being created and I feel that having some of them overlapping emphasises the movement that was going on. Even though a lot of the lines are wrongly places, you can still see the majority of the positions in which the model made.

This was a 20 minute sketch of the male model sitting down resting his head and his upper weight on his arm. I really struggled with placing the lines especially connecting his head to his body. I feel that the lower half of the sketch went well and you can see the weight that is being placed through his body, starting at the hand and flowing down to the knee and then the feet. The proportion of the overall body is almost correct, although the actual limbs are not.

This was a more successful sketch than the last and shows the model bending down resting on his toes and his hands. I like the movement that I got through this sketch, the way his back is slightly arched leading through to the scrunched up leg and then really being able to notice the pressure and weight put onto the toes. I feel that the placement of the head worked a lot better in this one and you can see that he was looking down at the floor. Adding the shadow to the picture created a nice contrast as there was no shading on the body and helps to create a good composition. This picture took me 10 minutes and I used a 2B pencil.

Week Nine

This was our first life drawing lesson. We looked at movement in the anatomy and basic human form. We started off by doing quick one minute sketches:

These are my first life drawing sketches. The top left and bottom right do not have the correct proportions or shapes and did not go according to plan. The top right has good movement flowing through the head and arch of the back, but the rest of the sketch is rushed. The bottom left is the most successful as you can clearly see what position the model was stood in, even how far her head was tilt back and captures good movement.

These are my skeletal drawings. I used rough lines to mark where the bones were (the arms, legs and spine) and then used the lines to help me to get a more accurate body form. I feel as though the skeletal drawings improved my positioning of lines and helped me to get good movement throughout each sketch.

This is my final drawing of the session. I tried to get my lines to flow more instead of having 'scratchy' little lines. I measured the proportions of the body and did my best to put them onto paper. I feel that this drawing went well as it has a nice composition. If I had more time I would have liked to add some shading to make it more 3 dimensional. I had a lot of difficulty with getting the stretched out leg correct. I had to keep redoing the length of it, and although it is not perfect I think that it works still. I really like the flow of the cloth and the face and hair. This picture took me 15 minutes and I used a 2B pencil.

Week Eight

This week we were focussing on reflective surfaces, the way light hits and travels through an object, making the object look different than it's usual state. I focussed on looking at the specular reflections and the diffused reflections. We started off with quick 5 minute sketches, making sure that there were no kissing objects, and no item was isolated.

First 5 minute sketch:

Second 5 minute sketch:

After my first sketch I realised I had drawn too big as not everything would fit on the page, so for my second I reduced the size. I don't feel that either of these sketches went well, although the objects are in the right proportions to each other, with some accurate lines. I need to stop including detail in my plans, until I have all the objects down and in the right position.

This was my final piece. I have shown refractions in the glass jars and ball, and reflections in the copper objects. The refractions have made the water in the jars change direction to what would normally be seen. For the reflections I used different gradients of grey to show where the reflections of other objects are and also where the light bounces off them. I have left no object orphaned, as all the objects are either 'attached' to another or the big table cloth. There are also no kissing objects. I spent 10 minutes on the composition and 30 on finishing off. I used a 3B pencil for this drawing.

Week Seven

 This week was all about texture. My first sketch is of an apple and orange. I chose to drew them one behind the other to give it a good composition. I gave the orange a darker skin tone than the apple, and shaded it in a different pencil movement to create contrast. On the orange I also added dimples to show the texture. On the apple I added in darker patches to show the impurities of the object. I made the apple look more smoother than the orange as it would be in reality. This drawing took 27 minutes and I used a 3B pencil.

This sketch is of a wicker basket with a metal can on top. I used harder straighter lines to create the can combined with straight solid cross hatching for the reflections to give a more metallic feel than the basket. On the basket I used a mixture of hard and soft lines, the harder lines were to represent the thicker bits of wicker. I also used cross hatching to show the very small and thin wicker material that makes up the basket. I feel that this picture shows good composition and is interesting to look at. This sketch took 33 minutes and was drawn with a 2B pencil.

This sketch is of a hand holding a bar of wood. I showed the texture on the wood by adding in the little details of the grains and using harder lines and deeper shading in contrast to the skin on the hand where I used very soft shading to represent the delicate nature of skin and also added in a few skin fold lines to add to the texture. I feel that I could have added more to the hand to contrast it even more with the wood. This sketch took 26 minutes and was drawn with a 2B pencil.